{"id":1916,"date":"2017-04-27T13:08:42","date_gmt":"2017-04-27T11:08:42","guid":{"rendered":"http:\/\/www.culture-sorbonne.fr\/dionysies\/?page_id=1916"},"modified":"2017-04-27T13:08:42","modified_gmt":"2017-04-27T11:08:42","slug":"sept-contre-thebes","status":"publish","type":"post","link":"https:\/\/dionysies.sorbonne-universite.fr\/?p=1916","title":{"rendered":"Les Sept contre Th\u00e8bes"},"content":{"rendered":"<p><strong>d&rsquo;Eschyle<\/strong><\/p>\n<p>Les fils d\u2019\u0152dipe pris au pi\u00e8ge de leur duel fratricide, dans un texte et une mise en sc\u00e8ne impos\u00e9s sublimement par Eschyle. Un ch\u0153ur de Th\u00e9baines terrifi\u00e9es au bruit de la bataille, et deux personnages, le roi Et\u00e9ocle, dernier homme \u00e0 l&rsquo;int\u00e9rieur de la ville assi\u00e9g\u00e9e, et l&rsquo;\u0153il du roi, le Messager.<br \/>\nCette pi\u00e8ce, dans la trilogie des Labdacides d&rsquo;Eschyle, faisait suite aux deux premi\u00e8res trag\u00e9dies, perdues, La\u00efos et \u0152dipe. Spectacle cr\u00e9\u00e9 en 2014.<\/p>\n<p>Th\u00e9\u00e2tre Musique Danse<\/p>\n<hr \/>\n<h4>2017<\/h4>\n<p><strong>Avec :<\/strong> B\u00e9renger Hainaut, Thomas Morisset, Sarae Durest, Idaline Hamelin, Susie Vusbaumer, Georgiana Hatara, Juliette Molin, Valentina Gonzo. Musicien\u00a0: Ma\u00ebl Bailly\u00a0; dieux\u00a0: Elise Haddad, Rapha\u00ebl Durville<br \/>\n<strong>Traduction et mise en sc\u00e8ne :<\/strong> Philippe Brunet<br \/>\n<strong>Musique :<\/strong> Fran\u00e7ois Cam<br \/>\n<strong>Chor\u00e9graphie et costumes :<\/strong> Fantine Cav\u00e9-Radet<br \/>\n<strong>Sculptures :<\/strong> Igor Chelkovski<br \/>\n<strong>Sculpture, peintures et masques :<\/strong> Guillaume Le Maigat, C\u00e9line Radet<\/p>\n<hr \/>\n<h4>2014<\/h4>\n<hr \/>\n<p>[flickr_set id=\u00a0\u00bb72157691857764932&Prime;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>d&rsquo;Eschyle Les fils d\u2019\u0152dipe pris au pi\u00e8ge de leur duel fratricide, dans un texte et une mise en sc\u00e8ne impos\u00e9s sublimement par Eschyle. Un ch\u0153ur de Th\u00e9baines terrifi\u00e9es au bruit &#8230;<\/p>\n","protected":false},"author":3,"featured_media":2208,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1916","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spectacles-passes"],"_links":{"self":[{"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/posts\/1916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1916"}],"version-history":[{"count":0,"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/posts\/1916\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/media\/2208"}],"wp:attachment":[{"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dionysies.sorbonne-universite.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}